“Oh, what a man goes as far as he can for country and king. Nothing will stop him.” – “Let Us Die”
I have waited ages to finally buy this album, whether it be on iTunes or order physically through Amazon. My wait has ended and I couldn’t be happier. I already talked about Avatar, and they actually read my blog post from a few months ago. (You can read it here: https://roaringreviews.wordpress.com/2013/07/02/have-you-ever-heard-of-avatar/ ) I wonder if they’ll read this as well? We’ll just have to see.
All of the information about Avatar is in that post I just linked to, but to repeat myself one more time, the band consists of vocalist Johannes Eckerström, Jonas Jarlsby and Tim Öhrström on guitars, Henrik Sandelin on bass, and John Alfredsson on drums. They are a melodic death metal band that originate from Sweden, and have such a charismatic yet freaky charm to their onstage and offstage presence. I love this band to pieces–almost more than I love System of a Down–and I’m truly happy that they are making new music! (Expect a new album from them in spring 2014!) Although their next tour is only in Europe and not in Texas, I will just have to hold on and let their “Black Waltz” album keep me company.
Roaring Characteristics
Remember how I said that Avatar have a really entertaining onstage presence? This is actually evident in the music on this album. For one, the playful yet creepy guitar riffs present in songs like “Ready for the Ride” and “Black Waltz” can give the listener a carnival feel. Heck, one listen of “Smells Like A Freak Show” can give me a slight craving for cotton candy and a nice circus performance. Avatar definitely show an ability of keeping their audience entertained not only exploring their theatrical boundaries, but also their styles!
Even though Avatar’s genre is officially melodic death metal, I’ve noticed that songs like “Napalm” and “Let It Burn” are highly unusual in this album. The song “Napalm,” for example, is softer than its track siblings because “Napalm” includes a bluesy riff, melodic chorus singing, and a slower tempo. Additionally, like I briefly mentioned in my previous Avatar post, I would love to hear AC/DC cover the song “Let It Burn” because the song sounds like it’s played in the style of AC/DC. It’s not a bad thing; more like magical.
Again, the theatrics of the album and the exploring of styles and genres keep “Black Waltz” (the album) highly entertaining for listeners worldwide.
Clawing at the Flaws
I’ve emphasized that this album is highly entertaining, but some of the drumming in this album sound similar from track to track. From my understanding, anything played over and over and over again tends to get boring after awhile. (You wouldn’t ride a merry-go-round for an hour, would you? At some point you would want to get off. This is also I feel about “Black Waltz.”) I know that drumming in death metal is supposed to be fast and hard hitting, but the drum technique where Alfredsson doubles his speed and makes it sound like ricocheting bullets is highly overplayed in this album. I will say though that Alfredsson is an amazing drummer, and his drumming blows my mind.
Additionally, I love a good, low note guitar riff, but again, I don’t love it when it’s in almost every song. It’s great guitar playing from both Öhrström and Jarlsby, but I would find the album a little more lively if at least two guitar solos were thrown in. (That’s the Meghan Maximum.)
Final Roar
Grab your tickets for the metal circus…featuring Avatar!
Outstanding Song on this Album: “Blod”: http://www.youtube.com/watch?v=nBKXWpTXYHI
“Hate your neighbor. Love your enemy. Use your tongue to clean her wounds.” – “Use Your Tongue”
Roar on and rock on!
– Meghan